Juan José Rodríguez Soler is a professional ergonomist, a who has devoted over 10 years applied research on basic perceptual processes, in recent years has entered the picture trying to merge experimental psychology, photography and visual art.

Spend my early experimentation with the technique of multiple exposures, shoot several pictures in the same frame, and the Macro. Over the digital photography, I discovered a new field on the image processing computer, which allowed me to overlap from my professional knowledge, and save my hobbies on the comic.

I was surprised that Vincent Segrelles (mercenary) of oil are passed to the computer, and Richard Corben (World mutant), extended his work full of rich colors and scenes with much depth of field, the audiovisual field.

Some time ago the hyper-realism of painters (for example. Malcolm Morley, Chuck Close and Duane Hanson), in which now also look for my inspiration were also strong criticism, the deformation of reality from the camera to canvas sat not seem quite right.

I believe that today, and in a similar way, there is a tendency to criticize the digital retouching, digital retouching for me is a continuation of photography, it is not fixed but increasing the chances of camera with the power of the computer.

In terms of my work, the camera gets to cover the concept of the scene, identifying the actors and the context of it. But by working with computer, save them lighting details that are beyond the scope of the camera light meter, illuminating parts of the scene obscured by shadows, bringing out details of the characters, and changing the space-time relationship of the scene by different colored areas.

0in 0in 0pt "> This approach involves a long process and maturing work in every photo requires individual processing, far from industrial or processing chain not enough to apply one or another algorithm, since the settings are different and are given by the concept abstracted from camera.